The year 1939 in motion pictures is widely considered the most outstanding one ever, when it comes to the high quality and high attendance at the large set of the. L'adresse URL que vous avez saisie ou le lien que vous avez cliqu. Vous pouvez poursuivre votre. La face cachee de Charles de Gaulle de 1954 a 1962 un grand president francais et l'un des plus grands criminels. Genre : Fantastique - Epouvante. Acteurs principaux : Bela Lugosi, Helen Chandler, David Manners. Une voie de Boulogne-Billancourt a The Rules of the Game. The Rules of the Game (original French title: La R. The film is a comedy of manners that depicts members of upper- class French society and their servants just before the beginning of World War II, showing their moral callousness on the eve of impending destruction. The Rules of the Game was the most expensive French film up to that time, with its original budget of 2. When directing the film, Renoir and cinematographer Jean Bachelet made use of deep- focus cinematography and long shots during which the camera is constantly moving, both sophisticated cinematic techniques in 1. Renoir's career in France was at its pinnacle in 1. The Rules of the Game was eagerly anticipated; however, its premiere was met with scorn and disapproval by both critics and audiences. Renoir reduced the film's running time from 1. In October 1. 93. The Rules of the Game (original French title: La R Ce sujet est un historique succin de la bataille de Dien Bien Phu au jour le jour, les t Quelqu'un qui n'a pas de technique mais qui ne va pas se laisser faire et va frapper. Synopsis : Une forte dispute French government for . In 1. 95. 6, boxes of original material were rediscovered and a reconstructed version of the film premiered that year at the Venice Film Festival, with only a minor scene from Renoir's first cut missing. Since then, The Rules of the Game has often been called one of the greatest films in the history of cinema. Numerous film critics and directors have praised it highly, citing it as an inspiration for their own work. Sensitive hearts, faithful hearts,Who shun love whither it does range,Cease to be so bitter: Is it a crime to change? If Cupid was given wings,Was it not to flitter? He is greeted by his friend Octave (Jean Renoir), who tells Andr. When a radio reporter comes to broadcast Andr. She is listening to the broadcast in her Paris apartment; she is attended by her maid, Lisette (Paulette Dubost). Christine has been married to Robert, Marquis de la Chesnaye (Marcel Dalio) for three years. For two years, Lisette has been married to Schumacher (Gaston Modot) . Christine's past relationship with Andr. After Christine and Robert playfully discuss Andr. He arranges to meet his mistress Genevi. Later, Octave induces Robert to invite Andr. At the estate, Schumacher is policing the grounds and trying to eliminate rabbits. Marceau (Julien Carette) . Before Marceau can escape, Schumacher catches him and begins to escort him from the property when Robert demands to know what is happening. Marceau explains that he can catch rabbits and Robert offers him a job as a servant. Once inside the house, Marceau flirts with Lisette. At a masquerade ball, various romantic liaisons are made. In the secluded greenhouse, Octave declares that he too loves Christine . Schumacher and Marceau, who have both been expelled from the estate after a fight over Lisette, watch Octave and Christine in the greenhouse. They mistake Christine for Lisette because Christine is wearing Lisette's cape and hood. Octave returns to the house for his coat and hat, and is begged by Lisette not to leave with Christine. Meeting Andr. To the assembled guests, Robert passes this off as an accident. Nora Gregor as Christine de la Chesnaye. Paulette Dubost as Lisette, Christine's maid. Marcel Dalio as Robert de la Chesnaye, Christine's husband and Genevi. Aubin, a guest at Robert's estate. Richard Franc. He had had three consecutive hit films and La Grande Illusion had won awards from the New York Film Critics, the National Board of Review and the Venice Film Festival. All five invested 1. The company was modeled after the American film production company United Artists, which was formed in 1. Charlie Chaplin, Douglas Fairbanks, D. W. Griffith and Mary Pickford. Renoir rallied his friends in the film industry around the company and got financial support from Ren. NEF's headquarters on the Rue la Grange- Bateli. On December 8, 1. Georges Cravenne published a press release in Paris- Soir announcing that Renoir and Pagnol were about to sign an agreement to procure a large theatre where they would publicly screen . He was also anxious about the Munich agreement and the strong possibility of another world war, and wanted to film a . When conceiving the film, Renoir was inspired by classical French art, such as the works of Marivaux, Beaumarchais and especially Musset's. Les Caprices de Marianne. Renoir initially intended to adapt the classic French play Les Caprices de Marianne; NEF first announced the film as an adaptation of it. Renoir later said he never intended to directly adapt Les Caprices de Marianne but only to re- read it and other classics of French literature for inspiration. After returning from lecturing in London in January 1. Renoir left Paris to work on a script. He told a reporter that his next film would be . Because Renoir wanted to allow the actors to improvise their dialogue, only one- third of the film was scripted and the rest was a detailed outline. Renoir later said that his . Renoir's initial inspiration by Les Caprices de Marianne led to the film's four main characters correlating with those of the play; a virtuous wife, a jealous husband, a despairing lover and an interceding friend. In both the play and the film the interceding friend is named Octave. Octave is also the only of the four characters inspired by the play that shares traits with its counterpart. In both works Octave is a . The characters' names constantly changed between versions of the script; Renoir said that in an early draft Andr. Renoir re- wrote the character Christine for the Austrian actress and fell in love with her during pre- production. Renoir originally wanted the entire cast of La B. Gabin was offered the role of Andr. He was replaced by Roland Toutain. Simon was offered the role of Christine but wanted 8. Simon's salary request was vetoed by NEF administrator Camille Francois. Ledoux was offered the role of Schumacher. He was married to Simon at the time; he declined when her salary request was denied and instead took a role in Maurice Tourneur's Volpone. He was replaced by Gaston Modot. Claude Dauphin was offered the role of the Marquis de la Chesnaye; he refused it and instead acted with Simon in Raymond Bernard's Cavalcade d'amour. Renoir then cast Marcel Dalio as the Marquis. Years later Dalio asked Renoir why he had been cast after having typically played burlesque or traitorous roles. Renoir told Dalio he was the opposite of the clich. Renoir's brother Pierre was cast as Octave and Carette was cast as Marceau. Francois suggested newly famous stage actress Michele Alfa for the role of Christine, and Renoir went with his wife Marguerite and Zwobada to see her perform in a play. While at the play Renoir noticed Nora Gregor in a box seat in the audience and asked about her during the intermission. He learned that Gregor was the wife of Prince Ernst Rudiger von Stahremberg, an Austrian nobleman. Renoir became friends with Gregor and her husband, getting to know them over several dinners in Paris. Stahremberg was forced to resign his leadership role in the Heimwehr . When Germany annexed Austria in March 1. Gregor and Stahremberg fled to France. Renoir said they were . Everything they believed in was collapsing. Gregor's first husband had been the concert pianist Mitja Nikisch, son of the renowned conductor Arthur Nikisch of the Leipzig Opera and according to film theorist Charles Drazin, a possible inspiration for some characteristics of Octave. Despite objections from his NEF colleagues, Renoir hired Gregor for the role of Christine. She was older than the original character and he made changes to the character based on Gregor's personality and on their dinner conversations, such as making Christine the daughter of an Austrian conductor. Many of Renoir's friends believed he fell in love with Gregor shortly after casting her. Zwoboda said Gregor had . My conception at the beginning . Renoir later said he chose Sologne because his father Pierre- August Renoir . How well I understand the sincerity of those regrets before these beautiful landscapes of Sologne, in astonishing colors, of a grace so melancholy yet so gentle. Renoir's son Alain worked as an assistant camera operator and Dido Freire worked as the script girl. Renoir's assistants on the film were Koch, Zwobada and Henri Cartier- Bresson. Tony Corteggianni was hired as a technical advisor for the rabbit hunting sequence. The cast and crew stayed at Hotel Rat in Lamotte- Beuvron. Heavy rainfall prevented the start of shooting in Sologne for several weeks. While he finished the script the entire company played cards and bonded; they described it as a happy time in their lives just before the horrors of World War II began. Paulette Dubost said shooting the film was great fun. Renoir then asked Michel Simon to play Octave but Simon was busy with other projects. Renoir finally cast himself, later saying that he . When shooting in Sologne finally began progress was slow because of the constant improvisations of the actors . Jay visited the set and was unhappy with the slow progress and with Renoir's performance. But the cast and crew admired Renoir. Christine was initially written as a bored, upper class bourgeois whose main preoccupation was planning parties, but Renoir amended this to accommodate Gregor's acting. Renoir also cut most of the references to Christine's conductor father Stiller, such as his relationship with the Marquis. The Marquis was initially written as a patron of the arts and music instead of a collector of music boxes. Journalists often visited the set and wrote positively about the production. Renoir said he did not need to do much directing since the actors were so involved in their roles. Renoir finally agreed and left Zwobada, Cortegganni and Cartier- Bresson in Sologne to shoot B- roll footage of the rabbit hunting sequence. Hundreds of animals were killed during filming and local people were used as stand- ins for the actors. Renoir would often film fifteen to twenty takes of individual shots and change dialogue on the set, making previous takes useless. Film historian Joel Finler said the film . Shortly afterwards, several of the film's electricians and technicians left to join the army.
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